Guide
Generating content
Generating turns a brief into a finished piece. Three decisions produce the result — the format, the voice, and what you actually ask for — and the third is the one people under-invest in.
What you’re writing, and where it’s going
The generate screen asks two questions. The first — what are you writing? — is always asked, and it shapes the writing itself, not just the layout. A social post is not a shortened blog; it is written differently from the first sentence.
| Format | What it produces |
|---|---|
Blog | A long-form article with structure and headings. |
Email | A newsletter-style email — a subject-line register, tighter, with a reason to keep reading. |
Doc | A formal document. Flatter tone, more precise, less persuasion. |
Social post | A short post that has to work without the rest of the page around it. |
Press release | A press office announcement, in the conventions UK journalists expect. |
Case study | An evidence-led customer story structured around the challenge, approach and outcome. |
The second question — where’s it going? — is asked only when you chose Social post, because that is the only format where the platform changes the writing and there is no format-level equivalent. Blog, doc, email, press release and case study ask no second question at all. They do not show an empty or disabled one; it simply is not asked.
| Where it’s going | What changes |
|---|---|
No specific platform | The default. A social post that works anywhere, with no platform conventions applied. |
LinkedIn | A professional native post — written for the feed rather than pointing at a link. |
X | One concise post that makes its point immediately. |
Facebook | A warm update aimed at people who already follow you. |
Instagram | A caption built around a strong hook. The 2,200-character limit is guidance — a complete thought is never cut off to meet it. |
One run produces one format. To get the same story in a second format, run the same brief again with that format chosen.
Answer-friendly long-form structure
Giving it source material
Alongside the brief you can paste source material: notes, a report, a transcript, an existing article. It is treated as evidence to draw facts from, never as a draft to rewrite and never as instructions. Claims it cannot support from that material or from your verified brand data are left out rather than guessed at.
Source material works with every format. The case it was built for is a blog: a comms officer pastes in a 30-page cabinet report, sets the angle to “what this means for residents whose bin collection changes”, and gets a resident-facing article that holds to what the report actually says.
Choosing a brand voice
Pick a saved voice, or write one-off custom instructions for this run alone. You cannot do both — a piece has exactly one source of style, which is what makes it possible to say later why a piece sounded the way it did.
Writing the brief
Describe what you want in ordinary language. There is no syntax, no keywords, and nothing to be gained from writing it as an instruction to a machine.
What helps
- The angle. Not “winter gritting” but “why we grit some roads and not others, for residents who have complained about their street”.
- Who is reading and what they already know. This changes more than any other single sentence you can add.
- Facts it could not guess. Numbers, dates, names, the actual policy. It will not invent them for you and should not be asked to.
- What to leave out. Saying what is off-limits is often faster than editing it out afterwards.
What does not help
Role-play preambles, instructions about tone that contradict the voice you selected, and emphatic capitals. Tone comes from the voice. Anything you write about style in the brief is competing with the voice rather than reinforcing it.
Links, and the one thing it will not do
A finished piece links to your own pages and nowhere else: a call to action, and, in a blog, up to three other relevant pages from your site.
It will not link to outside sources, and asking for them in the brief will not produce them. That is deliberate. It uses only web addresses it can verify from your own site, because a writer asked for sources with nothing to look them up in will invent them — and an invented citation looks more trustworthy than no citation at all.
If a piece needs outside evidence, paste it into source material so the facts come from something real, and add the links yourself afterwards.
The optional controls
Three settings are available and all are optional. Left alone, the writer chooses for itself, which is usually right.
| Setting | Effect |
|---|---|
| Target word count | Aims at a length. A target, not a contract — the result lands near it, not exactly on it. |
| Target paragraph count | Shapes the structure. Useful when a piece has to fit a fixed slot on a page. |
| Focus keyphrases (one primary, plus optional secondary phrases) | Search phrases to work naturally into the piece. Put the main target first; secondary phrases are used only where they genuinely fit. |
Values are re-checked server-side, so an implausible number is clamped rather than producing a strange result.
What happens after you press Generate
The run is queued and worked through a chain of stages: drafting in your voice, judging how well the draft matches it, shaping it for the chosen format, and a final pass that removes the patterns which make text read as machine-written. You do not choose or configure any of this.
| State | Meaning |
|---|---|
queued | Accepted, waiting to start. |
running | Being written. |
done | Finished. A piece now exists. |
failed | Something went wrong. The reason is recorded against the run and no piece was created. |
You do not have to wait
Repurposing an existing piece
Repurpose re-authors a finished piece into a different format. It reads the piece as it stands — including your edits — rather than the original brief, so corrections you made carry across instead of being made again.
It creates a new piece and a new run; the original is untouched. This is the intended way to get one story onto several channels, and it produces better results than running the same brief with a different format selected, because the second version is written from something you have already approved.
Not switched on yet
Improving text you already have
Improve takes text you paste in and re-writes it in one of your captured voices. Where generating starts from an idea, improving starts from someone else's draft — an agency submission, a colleague's first attempt, something inherited.
Like repurposing, it produces a new piece and leaves the original alone.
When a run fails
Failures happen and are recorded plainly — the reason sits against the run in History. A failed run produces no piece, which is why piece counts and run counts differ.
Retrying the same brief is reasonable; most failures are transient. A brief that fails repeatedly is usually asking for something the pipeline cannot produce, and rewording it is more productive than retrying it. Common causes and their messages are in Troubleshooting.
What a run costs
Generating consumes credits, as do repurposing, improving and previewing a voice. Reading, editing and exporting do not. The full list of metered actions — including image generation and sending to a destination — is in Billing and credits.